By: Azad Karimi
This immortality comes with centuries of existence and resistance. And if one day it arrives, it is because these works were conceived by great geniuses, artists with pure souls.
Interview
Brazilian Painter Paulo Miranda
By Azad Karimi
I promised you, dear reader, about the introduction of the homeland of Zoroaster. So I'm doing this and please follow me!
In the first section of Wandidaad, paragraphs 3 and 4 are stated:
The best area that Warmz created is Nariw Jaay but the Khaarpet (Maadyaar Chamardu or Maarduk)have created that winter of ten months and there are feathered snakes and without feathers snakes. The joy of this region is so great that Warmaz says if I did not create other lands, People went to JeyuNaariaaw and there was no place to live. Here is the land of Hipta Kulma (Hewt Kullma, seven climates). The middle climate is called Sarikhun, which is about the size of six other climates. Sarikhun, Khusruan,Khurisan, Khurazan is the land of Kaneraan and it is a Khauma tree or Bismila.The land of Khaner or Nariw or Nergal (Sumerian). Nariwjaay is located in Sarikhun or Khurisaan. Warmz created many things in Nariwjaay. There are the rivers of Maad-Taa, Surija, Gewiw-dad or Gawra or, Guimarth or Marwez, the mountains of Abraz(Barzi Bawakha, Kharwa, Qazwaan tree) and Wachan-Mew(Two Wheat Germs-Grapevine), and Rush, and bridge of Chindund(ChnuChin). The first animals were a male bull and a female cow, and all kinds of plants were created in Neriwjaay.
Neriwjaay is the safest place in Khulli-Jan, so Barjawkardu was built there. The Lord of Neriwjaay is one of the immortals Zodiac signs, that is, Haftawaanja(Haftjaan,Hafttan, Seven moon’s place in February, Qewltaas). Zoroaster appeared and to be sent as a prophet in Neriwjaay. It is said that the Khurshida (Sukhra, Charkha)or the fiery chariot of Izad Turi/Suri is as big as Neriwjaay. Neriwjaay is the utopia of the Neriwiaan, Naairiaan. In the Manog i Khrrata Book, the specifications of this utopia are described as followed and is obvious that Warmz created Neriwjaay better than other places and villages. and the good thing is that the people there live three hundred years and the life of cattle and sheep is one hundred and fifty years and they have less pain and disease and they do not lie and they do not mourn. and greed dominates their bodies less )they have self-esteem and contentment( and ten men are satisfied with the bread which they eat and every forty years a child is born to a man and a woman and their law is Bagdaatu(Feodality) and their religion is Kaashparduta (Sin-Chaara, Chaawazaar, Reincarnation) and when they die, they are Asrawa or Khazrawa(Immortal-Eternal),and their holy kingdom manifestation and the measure of the power of the kingdom is Awshaara(Flail) and Gopatash(Crook) and Khuruja is one of their lords.
At the beginning of creation by Maad, Tushtar caused rain and flood on the earth. The land was then divided into seven parts, the middle part is the country of Khurisaan and Neriwjaa, which is located in the country of Khurisaan. Khurisann is the largest of them all and is equal to six other Kashwar or Kulma.
In the east,Arzahi Kulma(Kaareza), in the west, Shawaki Kulma(Pirbashir), in the north two Kulmas: WourUTresht- Jaa (Sultaan Surija) and WourU Tresht-Baa(KhorataawaGawra), and in the south, Frada-Dafshu(PrdaShup,Bari NaawQella) and Wida-Dafshu(DeimaShup,Bari Demakaallan). It says that there is a Dari,Daru or Ford(RraqaBwaar)between Arzeh (Kaareza)and Khuzruan(Qella).
In the book of Zoroastre de Perse - Clavis Artis, written in German, there are interesting paintings from the land of Zoroaster's birthplace. Of course, I must say that the land of Persia is the province of Shiraz in the south of Iran. The land of the Medes is Kurdistan in western Iran and as you probably know, only a part of Kurdistan is located in Iran. In any case, the land of Persia was called the territory of the Safavid and Qajar kingdoms by the Renaissance Europeans because the Europeans of the Renaissance entered the Safavid kingdom through the land of Persia and came to Isfahan. The name of Persia also reminded them of the memories of Herodotus and Xenophon and about the book,it also speaks of a manuscript translated from Arabic in the 1236 AD. However, the place and date of publication are also reported as the German city of Jena and the year 1378AD. However, Persia and Media were Zoroastrians for a long time after Islam, and Islam later could control the region, as I wrote earlier, one of the pictures in this book is related to a picture of Zarathustra with the sign of the cross on the hat. But why the cross?
First, the cross is a symbol of the living and eternal soul, that is, the prophet or the Woshayar but the concept of the eternal soul is manifested in the sky in the form of the star of Zoroaster or Sargon, Kharuna or Zaruna. This immortality is manifested on earth in the form of a Kanera tree. The ancient clergy smashed the branches of this tree and used its extract as a ''Khurena'' or Waariaan that means of testing the truth and falsehood. Khurena is the drink of Sama, Sam, or the poison of this extract. The story of the Prophet Ibrahim and Khorina is famous. This refers to his high position because his soul was identified by this experiment as the soul of a prophet.
This pure spirit of the prophets and kings is in the form of a khn or the cross. Khn (Naakh, Khnu, Khun, Nukh, Nush) is a resurrected soul. This soul is pure, eternal, and eternal(Khunurua, Khunirua, Khuniras, Kaneran or Kaner tree). This is the immortal resurrected soul in the ancient Kurdish of Khna and in the ancient Egypt of Ankh. What is the connection between these two cultures?
The material manifestation is the immortality of Khnu or Ankh in Gopaat or Goptash(Crook). Moses and Shuiwa Jethro also had Goptash.
Jesus, who was also Woshayar- Khnu and three Zoroastrian spiritual scholars from the land of the East (Shurupak-Charkh-Khnu) saw his star and went to Jerusalem to visit him. This event is recorded in the Bible. Jesus was the immortal soul.
Zarathustra was the same ,he was born in the land of Khnu and was killed there. The source of this spirit is in Zinduta (Zanaawaan) or the fountain of the water of life that irrigates the Kaneraan tree.
The guardians of the leaves of this tree are Baazaan: Spi Kushe(White Goshawk) and the Shaahrbaaz (Golden hawk). The guardians of the roots of this tree are Maaziyaan: two Qasha Maasi(white fish). The enemy of the roots of this sacred tree is an insect called Mlla (Mole cricket) , which is active at night and wants to damage the roots of this tree in the dark of night but these two sacred fish, which have a white forehead(Naawchaw Baazg, Maaji,Maajgi, Shiny), do not allow it. To this day, Kurds call Christian clerics Qasha or Kashish because they are holy and guardians of the Holy Spirit who is manifest in the church. The church is the same as the Kaner tree.
I will end this article here. You can read the rest of this article in interview number 151.
Finally, for my dear friend Paulo I wish him success.
Thank you!
Vestland-Norway
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1- Please present yourself (Name, education, Civil status and...)
I'm Paulo Miranda, single, graduated in Architecture and Urbanism from the University of Uberaba. Postgraduate in Design and Creativity at Unifran (Franca, São Paulo) and with study trips in Paris, March / April 2004 and April / May 2008. I had drawing and painting classes with artists such as Hélio Siqueira, Frans Krajecberg, arin Lambrecht, Orlando Castaño, Shirley Paes Leme, Alex Cerveny, among others. I attended the art workshops of the Winter Festivals of the Federal University of Minas Gerais - UFMG.
2- What is your artistic specialize?
.I’m a painter and a draftsman.
3- When and how did you become interested in this field of art?
.I was born in a farm called “Fortuna”, municipality of Adamantina, a city in the interior of São Paulo. Until I was six years old I lived on this farm; and in this very rich environment I found the necessary elements to stimulate my imagination. The forest, the rain, the color and texture of the land, the unusual shapes of the tree trunks and pieces of wood have become key elements to relate to the world. I think that my childhood experiences already announced an aesthetic and thinking option.
4- Who was your motivator?
.I’m sure that as a child, it was living with nature and later, as a professional artist, I had the privilege of meeting artist Hélio Siqueira, with whom I took drawing and painting classes. I was also his studio assistant. It made all the difference in my life.
5- What was your parent’s reaction?
.My parents did not understand my choice for art very well, but they always supported me, leaving me free to make my choices.
6- When started you such as a professional Artist-Painter?
.In the 80’s. In 1988 I made my first exhibition. That was the milestone of my professionalization as an artist.
7- Are you thankful and happy because of your activities as an artist?
.I am a privileged person. In a world of so many conflicts and so much hostility, I have the privilege to work with art, to discuss love and to revere the beauty of things. I'm a lucky guy.
8- How you see the view for art, painting and future of culture?
.Art is free in its essence and will always exist and resist. I think it is the safest way to understand the history of peoples. Ferreira Gullar, a contemporary Brazilian writer and poet, said: “Art exists because life is not enough.” So I can say that as long as there is life, there will be art. Painting is the mother of all arts. Perhaps it is one of the last things in a modern world, it is old-fashioned, hand-made and full of scars from the making process. Its death has been decreed several times and it is still there, very much alive, touching the new generations of artists. I am a painter in love with canvases, paints and their infinite possibilities. I try to represent this modality of art with all my honesty, convinced of its strength. Culture is the future!!
9-Why do some paintings become immortal?
.This immortality comes with centuries of existence and resistance. And if one day it arrives, it is because these works were conceived by great geniuses, artists with pure souls.
10- Can you become one part of the artistic-cultural movement for motivation in youth or new generation in your country and so than?
.You must work and produce with all your honesty, do your job in the best possible way. Talk about what you believe and leave your message to the world. After? Then it’s your work that will speak for you.
11- How can you help our world become a better place to live?
.Doing my part with passion, a lot of love and honesty, always remembering that the planet is a living being and you are just a particle of it.
12- Have you more word to say or suggestion for our readers?
.Take good care of your artists. That can change everything.
Links:
https://drive.google.com/file/d/1SeZ_0ccdCduQU3s7_f4SeqW7Nddpe3OJ/view?usp=sharing
https://drive.google.com/file/d/12EIWuTrihsPlhMoTnuZiAdr-4tHUxl48/view?usp=sharing
https://drive.google.com/file/d/1V9Q3jERqthQ3H1Tgez5F_dWhrFEhJguq/view?usp=sharing
