By: Azad Karimi
After my exams as a teacher, I sang small parts in two operetta productions. The connections there led to my first auditions and the first fix contract with an opera house at the age of 27.
Interview
German Opera Singer Mirko Roschkowski
By Azad Karimi
As I wrote, this introduction is dedicated to the book of Klavis Artis and the interpretation of the cross on the hat of Zoroaster. Please follow the continuation here.
The book by Clavis Artis, which was translated from Arabic into Latin six hundred years ago and published in German in Germany two hundred years ago, contains beautiful and wonderful images of the land of alchemy (Mik U Baay). This book most likely belongs to the Harran Library, which was destroyed in the 10th century by Mamun Abbasi Caliph.
As I said, Zoroastrianism in Kurdistan was fundamentally different from Zoroastrianism in Persia. The Zoroastrians of Persia were known as the Kartirian. Kartirr the leader of Kartirrian rejected alchemy, astronomy, Gnosticism, and reincarnation,Maajgis(Magus, Magi) and declared the Zoroastrians of Kurdistan infidels, which led to many massacres in Kurdistan. Kartir temple was located in Persia, he announced that the clerics attributed to him should make religious pilgrimages in Kartir temple, but the temples of the city of Charkh or Khnu or Shuruppak in the honor of the prophet Zarathustra to be the place of worship of kings. In his time, the name of this city became known as the sun or flame of the sun because other names of this city were a sign of reincarnation.
With the advent of Islam, Kartiris disappeared and some of its followers went to India and others settled in the central desert regions of Iran. They suffered a lot but were able to convince the Arabs that they were Magusis! and thus reduce the pressure of the Arab Muslims and the new Persian Muslims because the Qur'an declares Jews, Christians, Mandaeans, and Magi to be God-worshipers but the Zoroastrians of Kurdistan, known as Zandik, and the Arab Islamic State fought against it with all their might, and the new Muslim Iranians greatly helped the Arabs, their new masters. Zandik means the claw of Maad which are: Heiwa, Parheiwa, Khursua, Kaake, Woshayara.
Woshayara is the resurrected spirit of the savior, which causes a fundamental difference with the Islamic teachings, which believe that the savior is from Saudi Arabia. Safavid followers also are propagating a false story for the last five hundred years, whose savior appeared 1,200 years ago but disappeared at the age of five, but one day he will return, and on that day Jesus Christ will return to the world and Jesus Christ will confess to the Shi'a savior and prays behind him!
The name of their missing savior is Mehdi, son of Hassan Askari. But one day a person emerges from the land of Khorasan with a cross around his neck and provides the prelude to the appearance of that absent savior! Now, why should this Khorasani person who is a follower of the absent Mahdi be a crusader or a Christian? Which Christian, especially in the case of the Savior, professes Islam and essentially Shi'a? Shi'a, which is not accepted in Islam as an Islamic religion at all! Basically, the Woshayaryaan or the supporters of the savior were recognized by the Muslims as infidels because they did not believe in the Islamic savior, and also as a Sunni Muslim in the last five hundred years, the Kurds do not believe in the missing savior of the Shi'as. Of course, Christians, Jews, Baha'is, El-Khaasis, Yaarsanis, Kaakais, Alewits, Mandaeans, and Ezidis do not believe in this Shi'a savior like Sunni Muslims. Finally, I would like to say again that the book of Klavis Arts is a completely Zoroastrian book in accordance with the teachings of the Kashishi El-Khaasi, which was represented in the third, seventh, twelfth, and fourteenth centuries AD by Mani, Mazdak, Shekh Adi, and Sultan Sahaak. The title of the book is a new phrase, Zarathustra is not Persian and the science of alchemy did not belong to the land and culture of Persia. As I said, the Zoroastrians of Persia were followers of the Kartirr school, which generally considered alchemy, astronomy, and reincarnation to be forbidden, which Zoroaster and the people of Maad (Kurdistan) believed in. In the paintings in this book, we see the images of Marduk, Khosrow, Yiwa, and Parriwa, who are cursed in the Kartirr school.
The cross( Woshayar manifestition) on the hat of Zarathustra declares that Zarathustra, as he himself said, is a conscious being, that is, the resurrected soul is in him, such as Elijah, Moses, Jesus, Abraham, Isaac, Ishmael, Jacob, David, Noah, Enoch, Seth, Maani, John the Baptist, Mazdak, Sultan Sahaak, Shekh Adi and Bahau'lla. These people are Khaasaan or virtuous, they have the appearance of God because their souls are pure, and God has sent these manifestations to renew the covenant with human beings.
Who should disrespect the followers of these manifestations? Why? Why should a group be found to force others to follow their ideas?
Religion is a belief according to human logic. The question is why should someone come and kill someone else because he does not think like him?
I explicitly say why the leaders of the Shi'a religion, especially, and many Sunni Muslim leaders, such as the leaders of the IkhwanalMuslemin, always claim that they must defend themselves because others want to destroy Islam. why? Why should radical Islamic groups take up arms and assassinate others? Why don't they take the path of peace and reconciliation? That is much better ... Why turn the facts upside down? Why should we fill the living space of ourselves and others with misunderstandings and tensions? What is wrong with everyone living in peace and having their own good ideas?
Why should we not act on the wisdom of the Sudraa that advises man: Good thought, Good word, and Good deed ,that is manifested in Woshayar wisdom.
I'm glad I wrote this because I have a duty to write the truth. May God bless all those who follow the truth also, God bless my German artist friend Mirko. I wish him happiness and success.
Thank you!
Vestland-Norway
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1- Please present yourself: (Name, education, Civil status and...)
. My name is Mirko Roschkowski, I am a happily married man, who grew up in Dortmund, Germany, as second child of a worker’s family.
2-What is your artistic specialize?
. I am an operatic singer, a lyric - now also dramatic tenor with a lot of experience in Mozart- and French Opera, Operetta and also German Opera.
3- When and how did you become interested in this field of art?. .Although my grandparents were talented singers in small choruses, I grew up without classical music. But my music-teacher at school realized, that I had a good voice. He became my singing-teacher and with the first lesson I fell in love with opera!
4- Who was your motivator?
. My music-teacher, Lothar Trawny, opened the door to opera and classical music for me. He changed my interests and my life completely!
5- What was your parent’s reaction?
. After school I wanted to become teacher for handicapped children. My parents were not happy, when I decided to be a professional singer instead. It took them a while to accept, that this had to be my way and it was a good way!
- When did you start working as a professional artist - musician and Opera Tenor singer?
. After my exams as a teacher, I sang small parts in two operetta productions. The connections there led to my first auditions and the first fix contract with an opera house at the age of 27.
7- Are you thankful and happy because of your activities as a musician and opera tenor singer?
. I love singing, I love my job, I love my colleagues, the theatre-people. I can’t imagine a better life and when I am frustrated or angry about my job, I am still happy that it is THIS job, that I am angry about! But when I have a cold, it is a horrible job!
8- What is Opera culture? What is Opera logic?
. Opera is a huge presentation of human nature. We are activating lots of emotions to let the audience and ourselves feel the urgency of life: love, hate, relationships, power, jealousy, creativity, fun ...
9- Why does some Opera performing become immortal?
. Opera is an artwork with so many aspects, imagine how many people are involved in choruses, orchestra, soloists, technicians, make-up, costume, props...
When all of these departments work together, so that we pull the audience on stage and they forget about all the worries of everyday life, these are the great moments, that can change a life!
10- How you see the Music, Singing, Opera, art and culture in your perspective? I mean your prediction for the future of music!
. Nothing compares to a live performance. Opera is an expensive art and I can only hope, that people will always see, how important the performances are for the human soul. The economical benefit is not that obvious, although it is proved - so let us hope! For me, opera is about human emotions and they will always be the most important topic. Opera stays valid!
11- Can you become one part of the cultural movement for motivation in youth or new generation in your country and so than?
. I am always so proud, when I can introduce people to opera. They are usually impressed by the theatrical magic. They will come back!
I think, singing is one of the best ways to learn about your body and soul. This is what I am trying to teach. Singing can solve most problems.
12- How can you help our world become a better place to live?
. I try to be an authentic, openminded and openhearted artist, who invites people to ask themselves questions about who they are and who they want to be! This process is as exciting for me as for the audience and can lead to a developing personality.
Singing and performing are powerful ways to find yourself, for me and the audience. Isn’t that, what we all wish?
13- Have you more word to say or suggest for our readers?
. There must be more collaborations between schools and theaters. Something in yourself changes, when you enter the stage and as many people as possible should at least once feel the enormous power on stage with an applauding audience. It is wonderful!
